Kate McKinnon plays Weird Barbie-a Barbie that’s been played with too hard and so has a wonky haircut and marker scribbles all over her face. The disco number at the beginning of the movie (which is briefly interrupted by Barbie querying her fellow dolls as to whether they ever have thoughts of death) is an homage to John Travolta’s dances in Saturday Night Fever, down to the costuming. Read More: How Greta Gerwig Got Barbie -From the Clothes to the Dream House-Just Right Saturday Night Fever The Umbrellas of Cherbourg, The Young Girls of Rochefort, and Model Shop all served as aesthetic inspiration. Gerwig has credited the French filmmaker with inspiring how she layered colors (particularly different shades of pink) in Barbie so everything would pop instead of clash. Not only does Barbieland mimic the artificiality of The Truman Show in concept, but Gerwig and Weir discussed how to physically light their sets to capture that feeling. Gerwig talked to The Truman Show director Peter Weir about how he shot his movie about a man unknowingly living on a reality TV set. We’ll talk about Singin’ in the Rain later. Gerwig actually references quite a few Gene Kelly movies in Barbie. Read More: We’re Ignoring the Real Reason Barbie Might Dominate the Box Office An American in Parisīarbie’s mornings also mimic how Gene Kelly’s character wakes up and gets ready in American in Paris. Like the statue Galatea in Pygmalion, Barbie eventually does “come to life” by venturing into the real world, learning about death, and trading her Dream Life for an existence that’s more flawed but rewarding. Gerwig explores the impossibility of a single doll representing an entire gender, not only by adding a multiplicity of Barbies to the movie (played by different actors) but by showing how Barbie’s supposed perfection rubs some of the human girls who play with her the wrong way. In this case, Ruth Handler is the creator and Barbie is supposed to represent the perfect woman. The story has been adapted many times over, including in George Bernard Shaw’s play of the same name and the musical My Fair Lady. On a plot level, Gerwig and Baumbach are drawing inspiration from the Greek myth of Pygmalion (as written by Ovid), a sculptor who creates a statue meant to represent the perfect woman and then falls in love with his own creation. That spot spoofed 2001′s famous opening scene by replacing apes with little girls smashing their baby dolls when they discover the first doll who looks like an actual grown woman: Barbie. The internet has been chattering about this one ever since the first teaser trailer for Barbie dropped. But here is every Easter egg that we could find. Gerwig and her partner and co-writer Noah Baumbach have stuffed it with so many gags and nods to various pieces of art that only multiple viewings will reveal all of the film’s secrets. It’s virtually impossible to compile an exhaustive list of every single reference made in Barbie. And the movie’s many jokes riff on some of the most popular moments in cinematic history, from the introduction of 2001: A Space Odyssey to The Matrix and even (surprisingly) The Snydercut of Justice League. Robbie, the star of Barbie and its producer, had long discussed with writer-director Greta Gerwig how the visual palette of the film would draw from images ranging from the stagecraft of 1950s musicals to the color pops in Jacques Demy films. During the filming of Barbie, Margot Robbie’s production company Luck圜hap hosted a film festival of sorts for the cast and crew that would serve as inspiration for the movie.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |